Beuys Essay Example | Topics and Well Written Essays - 3000 words

Beuys - Essay ExampleIn actuality it went underground, emerging again, in entirely new guises, only toward the end of the 1970s.In 1967 Joseph Beuys, a professor of sculpture at the prestigious Dsseldorf Academy of Art, founded the politically dissident German Student P artworky and in the following year aligned himself with the thigh-slapper students, who strongly influenced his attitudes to art and politics. Beuys was born in 1921 at Kleve in the Lower Rhineland, served with the Luftwaffe in the War, enrolled as a student at the Dsseldorf Academy in 1947, and was prof of Monumental Sculpture there from 1961 until he was dismissed in 1972. Beuys, who remained committed to social change to the end of his life, founded (among other organizations) the Organization of Non-Voters/Free Referendum Information intimate in 1970 and the Organization for Direct Democracy through Referendum in 1971. He also waged war against hidebound art education. Beuys summed up his countercultural stance in 1979 issue people -- the hippies in the 60s, the punks today -- are struggling to find new ways of defining the culture they live in. They, not money, are the gravid of society (Adriani, Konnertz, & Thomas, 1979).More than any of his contemporaries, Beuys sought to confront the social situation of a physically and psychologically devastated Germany and, by extension, Europe. Facing up to German recital and culture -the Nazi period and its antecedents -- he said that he would assume the shamanistic role of exorcising past horrors, indicating the traumas of a time and initiating a healing process. He also believed that the imaginative powers of art could change life and bring about a personal and national rebirth. His ideas appealed to the European art world, because they seemed peculiarly European and -- as important -- because they were expressed in an advanced visual language. Beuys achieved widespread recognition in 1968 and, in the 1970s, became the most important and inf luential artist in Europe. Beuys proposed his art as an alternative to contemporary American art -- which to him meant tonic art, exemplified by Warhol, and minimalism. He overlooked the fact that many American post minimalists were also reacting against pop art and minimalism and were, like him, moving into implementation and installation art. And they were as affected by the Vietnam War and Americas social evils as he had been by the Nazi horror, the Holocaust, the student uprisings of 1968 -- and Vietnam. ( alone he convinced a significant number of European artists and art professionals that his misreading of American and European art was the correct interpretation, in abundant measure because they wanted to believe it.) Beuyss artistic roots were in Dada-inspired fluxus, which had been at the center of the German avant-garde in the early 1960s. Attracted by its use of performance to break down barriers between art and life, he joined the group. In February 1963 he hosted an i nternational fluxus festival, Festum Fluxorum Fluxus at the Dsseldorf Academy. On that occasion he performed the first of his actions, as he called his theatrical pieces, titled Siberian Symphony. Fluxus artists, who generally favored simple, short, often outrageous and funny sound-producing events, found Beuyss performance too complex and metaphorical for their taste. But much as he