The Importance of Masks in William Goldings Lord of the Flies :: Lord Flies Essays William Golding Papers

In Lord of the Flies, by William Golding, we find a group of British boys stranded on a tropical island while the rest of the world is at war. Their plane has been s onlyy down and they find themselves without adults to tell them how to act. As they struggle to survive, they encounter conflicts that reverberate the decayed society from which they have come. We see Goldings theme come approximately as we watch the boys begin to lose their innocence and let their intrinsic evil overwhelm their otherwise civilized manner. While formulating the theme of the story, Golding utilizes such(prenominal) imageism, one of these symbols being the masquerade partys, or sundry(a) faces, that the boys wear. The masks, and painted faces, became a manufacturer of evil circumstances, give a sense of anonymity, and represented the defiance of loving structure. Whenever someone is wearing a mask or has a painted face, evil is at large. The very purpose of a mask is for hiding. The boys work the masks to hide their lust for blood, killing, and death from their consciences. When going to hunt for the first prison term, whoreson hid, liberated from shame and self-consciousness (Golding page ) because he knew that his manner of inquisition was evil and would only lead to lascivious killing. While describing that hunt to the boys, bozo was twitching and shuddering as he talked. He knew it was wrong. Eventually all the savages hid behind their masks when their lust for killing climaxes on the manhunt for Ralph. Throughout the story, all hunting, killing, and remove of blood was done while the boys faces were hidden by masks. A mask makes one unknown, unrecognized, and mysterious. When the first mask was put on, Jack looked no long-life at himself but at an awesome stranger (Golding page ). At the formation of Jacks tribe, all who join wear a mask from that time on and become a part of the savages. As three savages render to steal fire, they are driven because they a re demoniac figures with faces of white and reddish (Golding page ) not individual boys. The mask becomes such an anonymous symbol that, towards the end of the story, Ralph gazed at the green and black mask before him onerous to remember what Jack looked like (Golding page ). Whether stealing, fighting, or hunting, the savages found their heroism because they looked like something else hidden behind the mask of paint (Golding page ).